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Joined 1 year ago
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Cake day: June 22nd, 2023

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  • You’re about to embark on a massive journey and I wish you the best of luck :D

    Compressing 110 4K movies is going to be a long encode time, but it will be so nice to digitize that collection.

    First question: if you already have them ripped and stored, do you even need to re-encode them? If you have a powerful enough Jellyfin server for transcoding, that may be enough.

    That said, if you’re looking to optimize for space and quality, there’s some questions to ask:

    • proprietary (but ubiquitous) HEVC or the emerging open standard AV1? It’s going to be a lot easier finding tips/guides for HEVC.

    • Constant Rate Factor (CRF), or Average Bit Rate (ABR). CRF tends to be more straightforward if you have a varied collection of content because it let’s the encoder choose settings to deliver consistent quality. 2-pass average bit rate is good if you have a target size or compatibility in mind - great for squeezing out the absolute optimal quality if you’re trying to fit on a Blu-Ray disc or meet certain streaming criteria, but 2x the encode time (hence “2-pass”) can be a tough sell.

    Stick with software encoding, steer clear of hardware solutions like NVENC. They’re crazy fast, but inconsistent quality.

    There’s some guides out there on converting DV to HDR 10+ etc, but I don’t have a lot of experience with that process.








  • Or even better, my experience with them - they can permanently mark you as poor when the person who stole your identity in the last data beach (Thanks Experian!) doesn’t make their monthly payment, thus tanking your credit while you’re entering escrow on your first home.

    Thanks AT&T, now my stolen information I never even gave you is probably back on the black market! The cycle continues.