I don’t hate this. Seems like Skydance has less conflict of interest (i.e. alternative franchises) than the Warner Brothers merger talks from December. Remains to be seen if this is a good thing from a Trek point of view but… Could be worse.
I don’t hate this. Seems like Skydance has less conflict of interest (i.e. alternative franchises) than the Warner Brothers merger talks from December. Remains to be seen if this is a good thing from a Trek point of view but… Could be worse.
Sims 3 was my favorite for the open world and freelance jobs too. Was nice to be able to secure an income without disappearing off the map for 8 hours a day. Was surprised 4 didn’t follow through on that as much but I only played it a little.
My wife plays Sims with cheats all the time and I get that it becomes a fancy interactive dollhouse in that case, but to me the game is all about that progression from bachelor in a one room box to old family man in a mansion.
So cool, thanks for sharing.
John Carmack, author of the Doom engine, is a long time Linux user and for a while the policy was to open source the idTech engines once they had moved on.
However, Doom was hugely popular on its own before this, and was actually more pivotal for making Windows a gaming platform (over DOS).
The reason it runs everywhere is a combination of it’s huge popularity, it’s (now) open source and it’s generally low system requirements.
I love how surreal this is.
It does that everywhere, even on non .deb distros.
One thing I’d like to suggest is get most of their forward facing apps as Flatpak and let them install software that way instead of using the system package manager (even if it has a GUI). This jibes with others suggesting an immutable base system.
Obviously this may be more of a concern for older kids, but my kid started with Linux and it did fine… Right up until Discord started breaking because it was too old and they didn’t want to tangle with the terminal. Same thing when Minecraft started updating Java versions. Discord and Prismlauncher from Flatpak (along with Proton and Steam now) would have kept them happier with Linux.
As for internet, routers come with parental controls these days too, which have the added advantage of being able to cover phones (at least while not on mobile data). Setting the Internet to be unavailable for certain devices after a certain time on school nights may be a more straightforward route than DE tools.
I’m okay with it. My problem with Disco is how high stakes breathless it is all the time, visiting the timeline with a lower stakes Academy lens could be cool. Being far future means it won’t be a TOS/TNG cameo fest (SNW’s biggest flaw) and I wouldn’t mind being able to do some actual character development on Tilly / other Disco crew if they weren’t just constantly in mortal danger.
Of course it’ll probably end up being flashy bullshit again, but I’ll give it the benefit of the doubt for now.
This isn’t a benchmark of those systems, it’s showing that the code didn’t regress on either hardware set with some anecdotal data. It makes sense they’re not like for like.
That was a bit of a deep cut for me, but TIL.
Spiderman could web the falling person from above like a bungee cord, or even catch them in a safety net style web.
Non-existent is probably hyperbole, but I think it’s pretty reasonable to feel that way after your kids have grown and you realize you never made the time to really focus on them. Even if you have a nominal relationship later, it’s as an adult, it’s only certain times a year, it’s focused on the grandkids etc.
I am about 80% through it as an audiobook (waiting for it to come back from the library) and I agree. Great to listen to him, tons of non Trek info I didn’t know that is still quite interesting.
Not the best husband to be sure, but I do like that he’s pretty up front about it. Seems like his first marriage was effectively over as soon as he found American success and his wife (understandably) didn’t want to abandon her own career in the UK. Hard to listen to Capt. Picard be unfaithful (with Vash no less!) but I felt for him more than most egomaniac rock stars who fuck anything that moves.
EDIT: Also loved how he hates Thatcher for demolishing all of the programs he used to get trained as an actor coming from a poor background. There was a lot of mutual aid in his early life that seems non-existent today.
If you haven’t read Patrick Stewart’s autobiography that just came out, Making it So, you should. Or, even better, listen to him read it in an audiobook.
You lift the mask off the Military, and it’s Imperialism. Lift the mask again and it’s Capitalism.
“And I’m getting away with it too, despite you meddling kids!”
I used (u)xterm for like 20 years before discovering that Konsole is solid and beautiful. My whole tiling setup is backed up with KDE apps now.
And there’s also William Gibson’s entire Sprawl series, which would be very cool to see on a screen.
I love the Sprawl books, and Neuromancer has been in development hell a few times IIRC, but I’m hesitant.
Reading Gibson’s words, they’re so evocative, but a lot is left unspecified and the reader kinda fills in the blanks based on the feeling he is conveying. A show pins everything down visually and I’m afraid even Neuromancer would get rendered as generic cyberpunk without Gibson’s unique style.
All of the arguments I see for Discovery are based on representation and that’s literally the only thing the show got right. It’s like yeah, it’s great to have a diverse cast… I just wish they were on screen doing something good. Trek lives and dies in the writing, all the acting, effects, and out of universe concerns won’t save it from absolutely horrendous writing.
If they’d have done SNW style plots with DSC cast, it would have been amazing from the beginning.
Agreed wholeheartedly.
As some have mentioned, this could be a/another backdoor pilot for Legacy where Seven more or less takes the torch from Picard, similar to Picard taking it from Kirk in Generations - although that was obviously after TNG instead of before.
That’s a fun thought experiment. Weird to think about Kirk’s lines delivered in Shakespearean actor English instead of his iconic halting delivery.